Seriously an awesome lens. It’s now my most used lens and the colours come out great for editing.

try happy with this lens, hard to get at other places, JB had it in stock

Introduction; Sample images; Design and handling; Autofocus; Distortion; Macro; Video; Chromatic aberration; Bokeh; Sharpness; For Sony E-mount users; For Panasonic/Leica/Sigma L-mount users; Conclusion;

Introduction; Sample images; Design and handling; Autofocus; Distortion; Macro; Video; Chromatic aberration; Bokeh; Sharpness; For Sony E-mount users; For Panasonic/Leica/Sigma L-mount users; Conclusion;

Still, compared to the reflex camera version, this lens has some assets too. It is physically lighter, a bit slimmer and, what's interesting, cheaper, because its suggested price is almost $1100. The reflex camera version of this lens, present on the market for almost two years now, is $20 cheaper.

very solid and weather- sealed casing,, excellent image quality in frame centre,, good image quality on the edge of APS-C,, acceptable image quality on the edge of full frame,, low lateral chromatic aberration,, negligible astigmatism,, low vignetting on the APS-C/DX sensor,, fast, silent, and...

very high distortion which, additionally, at the shortest focal length, shows significant moustache deformations,, a tad too high spherical aberration at 70 mm,, noticeable longitudinal chromatic aberration at 70 mm,, monstruous vignetting on full frame.

The Sigma 24-70mm f2.8 DG DN Art is a bright-aperture general-purpose zoom for Sony e-mount and Leica L-mount mirrorless cameras, that's a viable alternative to the original 24-70mm f2.8 lenses from Sony and Panasonic - not to mention Canon and Nikon, should Sigma develop RF and Z-mount versions.

There’s a lot to love about the Sigma 24-70mm and 85mm Art lenses. They provide photographers with high-quality images in no-compromises lenses and these two are no exception. While fanboys/girls may want to refute anything that isn’t coming directly from an OEM, the truth is that Sigma has been...

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