Yes, I would recommend this to a friend
Consistent Output; Durable; Easily Interchangeable; Quick Focus; Rugged; Sharp Focus; Strong Construction
Expensive; Heavy
Manufacturer: Canon
Yes, I would recommend this to a friend
Consistent Output; Durable; Easily Interchangeable; Quick Focus; Rugged; Sharp Focus; Strong Construction
Expensive; Heavy
Yes it is expensive but you really won't remember that once you use the lens. The speed allows for many more good shots without the use of any flash. Highly recommended.
Consistent Output; Durable; Easily Interchangeable; Quick Focus; Rugged; Sharp Focus; Strong Construction
Expensive; Heavy
The Canon EF 50mm f/1.2L USM ($1,619 direct) is one of only two f/1.2 lenses available for the Canon EOS camera system, the other being the EF 85mm f/1.2L II USM, which is best suited for portraiture.
Expensive; Large and heavy; A little soft at maximum aperture.
This is a high-quality lens that definitely deserves the "L" series designation from Canon. Extremely sharp, amazing color, and beautiful bokeh. The only issue I had was that the auto focus was slow and would hunt a lot.
Superior image quality; beautiful bokeh
Slow auto focus; price
This speedy full-frame 50mm f/1.2L ($1,400, street) fills a vacancy left by the demise of Canon's 50mm f/1.0L four years ago. The company's only L-series normal lens, it's the fastest normal AF lens on the planet. Hands On
The Canon EF 50mm f/1.2L USM lens was evaluated and was compared to the EF 50mm f/1.4 with respect to resolution, 50% MTF and bokeh performance. The primary question I wanted to answer was: Would the 1.2L outperform the f/1.4 USM lens at f/1.4 and f/2. The short answer is: Yes.
It is definitely an excellent lens. Sometimes I encounter back focus problem and I guess it is because the focus spot is too dark. Other than that, the color is incredibly bright and rich. No post-processing required.
Can take very good portraits; Color is very rich and bright
Price is too high; Get fuzzy pictures easily in a slightly dark place.
For many years, a fixed focal length (prime) 50mm lens was standard for film SLRs. Although 50mm lenses are not nearly as popular as they used to be, there are still many people who want one of these in their kit.
Canon's 50mm f/1.2 in Leica screwmount (39mm x 26 tpi) is something of a legend. Introduced in 1957/58, it is very fast and today it is relatively affordable. The main alternatives, after all, are either Leica Noctiluxes (the 50mm f/1.2, 1966, discontinued, or the 50mm f/1, 1967, still current) or...
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